• Allegro
• ______. (1968). Allegro (pp. 344 - 351). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Ewen, D. (1957). Stage productions with music by Rodgers, with Oscar Hammerstein II. (pp. 333 - 337). In Richard Rodgers. New York: Holt.Richard Rodgers. New York: Holt.
• Hamlin, R. (2009). MUSICAL THEATER. Opera News, 73(12), 58-59. Retrieved from Academic Search Premier database. http://libaccess.sjlibrary.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=39982815&site=ehost-live
• Gives a review of the "First complete" recording that came out in 2009.
  

• Maslon, L. (2008). Novelty act. Opera News, 73(2), 36-37. http://content.ebscohost.com.libaccess.sjlibrary.org/pdf9/pdf/2008/OPN/01Aug08/33210875.pdf?T=P&P=AN&K=33210875&EbscoContent=dGJyMNHX8kSeqLU4zOX0OLCmr0iep7ZSrqa4SbGWxWXS&ContentCustomer=dGJyMPGtsVCuprFLuePfgeyx%2BEu3q64A&D=aph
  

• Carousel
• ______. (1968). Carousel (pp. 319 - 336). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Block, G. (2009). Carousel. In Enchanted evenings:the Broadway musical from Show Boat to Sondheim and Llyod Webber (pp. 195 214). Oxford: University Press.
• Looks at the history, music, and story behind the Rodgers and Hammerstein hit.
  
• Ewen, D. (1957). Stage productions with music by Rodgers, with Oscar Hammerstein II. (pp. 333 - 337). In Richard Rodgers. New York: Holt.Richard Rodgers. New York: Holt.
• Gold, S. (2008). Minimal, but not radical, 'carousel'. New York Times, 12-11.
• Cinderella
• Ewen, D. (1957). Stage productions with music by Rodgers, with Oscar Hammerstein II. (pp. 333 - 337). In Richard Rodgers. New York: Holt.Richard Rodgers. New York: Holt.
• Do I Hear a Waltz?
  
• ______. (1968). Do I Hear a Waltz? (pp. 464 - 468). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Flower Drum Song
• ______. (1968). Flower Drum Song (pp. 426 - 436). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Me and Juliet
• ______. (1968). Me and Juliet (pp. 401 - 407). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Ewen, D. (1957). Stage productions with music by Rodgers, with Oscar Hammerstein II. (pp. 333 - 337). In Richard Rodgers. New York: Holt.Richard Rodgers. New York: Holt.
• No Strings
• ______. (1968). No Strings (pp. 456 - 465). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Oklahoma!
• ______. (1968). Oklahoma! (pp. 275 - 318). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Bruhm, S. (2010). Gothic oklahoma!: The dream ballet. English Language Notes, 48(1), 101-109.
• Cerf, B. and Cartmell, V. H. (1944). S.R.O.; the most successful plays in the history of the American stage. Garden City: Doubleday, Doran and Company, INC.
• Cook, S. (2009). Pretty like the girl: Gender, race and oklahoma!. Contemporary Theatre Review, 19(1), 35-47.
• Ewen, D. (1957). Richard Rodgers. New York: Holt.
• Laufe, A. (1970). Oklahoma! (pp. 57 - 68). In Broadway's greatest musicals. New York: Funk & Wagnalls.
  
• Most, A. (January, 1998). We know we belong to the land: the theatricality of assimilation in Rodgers and Hammerstein's Oklahoma!. PMLA, 113(1), pp. 77-89, http://www.jstor.org.libaccess.sjlibrary.org/stable/463410
• Wilk, M. (2002). OK! the story of Oklahoma! New York: Grove Press
  
• Pipe Dream
• ______. (1968). Pipe Dream (pp. 408 - 414). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Ewen, D. (1957). Stage productions with music by Rodgers, with Oscar Hammerstein II. (pp. 333 - 337). In Richard Rodgers. New York: Holt.Richard Rodgers. New York: Holt.
• State Fair
• ______. (1968). State Fair (pp. 337 - 343). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• South Pacific
• ______. (1968). South Pacific (pp. 352 - 379). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Elliot,  S. (2008). Off the stage, what's behind the music. New York Times, 5-4.
• Ewen, D. (1957). Stage productions with music by Rodgers, with Oscar Hammerstein II. (pp. 333 - 337). In Richard Rodgers. New York: Holt.Richard Rodgers. New York: Holt.
• Laufe, A. (1970). South Pacific (pp. 121 - 132). In Broadway's greatest musicals. New York: Funk & Wagnalls.
• McGuigan, C. (2008). Theater Of War. Newsweek, 151(14), 52-53. Retrieved from Academic Search Premier database. http://libaccess.sjlibrary.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=31506808&site=ehost-live
  
• Gives a great overview of the recent revival of the show (It was the first revival since the show came out, that's 60 years!) and how the show fought and changed peoples perceptions on love and race. One of my favorite lines from this article: "Even if you don't give a hoot about musical theater, you can probably hum a few bars from "South Pacific." And if you can't, you should."
  
• Most, A. (October, 2000). You've got to be carefully taught: the politics of race in Rodgers and Hammerstein's South Pacific. Theatre Journal, 52(3), pp. 307 - 337, http://www.jstor.org.libaccess.sjlibrary.org/stable/25068808
• Ross, L. (2008). ENCHANTED EVENING. New Yorker, 84(8), 26. Retrieved from Academic Search Premier database.http://libaccess.sjlibrary.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=31527553&site=ehost-live
• Very very nice article about Rodgers and Hammerstein's daughters and their reactions and thoughts about growing up in the business as well as their thoughts on the revival of South Pacific at the Lincoln Center.
  
• The King and I
• ______. (1968). The King and I (pp. 380 - 396; 529 - 531). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Ewen, D. (1957). Stage productions with music by Rodgers, with Oscar Hammerstein II. (pp. 333 - 337). In Richard Rodgers. New York: Holt.Richard Rodgers. New York: Holt.
• McConachie, B. A. (October, 1994). The "Oriental" musicals of Rodgers and Hammerstein and the U.S. war in southeast Asia. Theatre Journal, 46(3), pp. 385-398, http://www.jstor.org.libaccess.sjlibrary.org/stable/3208614
• The Sound of Music
• ______. (1968). The Sound of Music (pp. 435 - 451). In Richard Rodgers: fact book, with supplement. New York: Lynn Farnol Group.
• Wilk, M. (2007). The making of The Sound of Music. New York: Routledge, Taylor and Francis Group.
• This small book looks at the making of the music (the main focus) as well as tidbits on the movie and the revival of the show.